Critical Museum Theory/Museum Studies in Canada

Lianne McTavish with Susan Ashley, Heather Igloliorte, Kirsty Robertson, and Andrea Terry. “Critical Museum Theory/Museum Studies in Canada: A Dialogue,” Acadiensis 46.2 (2017), pp. 223-41. In 2017 I had the chance to be a part of this co-written conversation about

Critical Museum Theory/Museum Studies in Canada

Lianne McTavish with Susan Ashley, Heather Igloliorte, Kirsty Robertson, and Andrea Terry. “Critical Museum Theory/Museum Studies in Canada: A Dialogue,” Acadiensis 46.2 (2017), pp. 223-41. In 2017 I had the chance to be a part of this co-written conversation about

Washing the Dishes

Participant/interlocutor with Serena Lee. “Washing the Dishes.” What is Left? What is Right? Forest City Gallery, curated by Christina Battle and Jenna Faye Powell, exhibition Sep 8-Oct 13, 2017, event November 25, 2017. Over the summer and in the Fall

Washing the Dishes

Participant/interlocutor with Serena Lee. “Washing the Dishes.” What is Left? What is Right? Forest City Gallery, curated by Christina Battle and Jenna Faye Powell, exhibition Sep 8-Oct 13, 2017, event November 25, 2017. Over the summer and in the Fall

Craft in the Current Moment

In the Fall of 2017 I was invited to write a short essay for the BFA catalogue for the thesis show at the Oregon College of Art and Craft. It was a really fun project, and the essay can be

Craft in the Current Moment

In the Fall of 2017 I was invited to write a short essay for the BFA catalogue for the thesis show at the Oregon College of Art and Craft. It was a really fun project, and the essay can be

Textiles

“Textiles.” In Fueling Culture: Politics, History, Energy. Imre Szeman, Jennifer Wenzel and Patricia Yaeger, eds. Fordham University Press, 2016, pp. 353-56. A short piece that I wrote on textiles and oil is included in this volume. “…textiles are the most

Textiles

“Textiles.” In Fueling Culture: Politics, History, Energy. Imre Szeman, Jennifer Wenzel and Patricia Yaeger, eds. Fordham University Press, 2016, pp. 353-56. A short piece that I wrote on textiles and oil is included in this volume. “…textiles are the most

Protectorate 1: A Darker Side of the Moon

Protectorate 1 was an exhibition curated as a part of the VAS/VAH4485 Museum and Curatorial Practicum in 2016-17. Here is the exhibition description: Since the Apollo 11 lunar landing in 1969, artefacts – ranging from flags and equipment to ephemeral

Protectorate 1: A Darker Side of the Moon

Protectorate 1 was an exhibition curated as a part of the VAS/VAH4485 Museum and Curatorial Practicum in 2016-17. Here is the exhibition description: Since the Apollo 11 lunar landing in 1969, artefacts – ranging from flags and equipment to ephemeral

Understanding Plastics Pollution: Interdisciplinary Collaboration and Forensic Methodology

image: sampling for micro-plastics at Lake Huron, Great Lakes Plastics Pollution Think Tank, summer 2016 This is a SSHRC-funded project, of which I am a co-applicant. Other members are Kelly Jazvac (PI), Kelly Wood (co-applicant), Patricia Corcoran (co-applicant), Heather Davis

Understanding Plastics Pollution: Interdisciplinary Collaboration and Forensic Methodology

image: sampling for micro-plastics at Lake Huron, Great Lakes Plastics Pollution Think Tank, summer 2016 This is a SSHRC-funded project, of which I am a co-applicant. Other members are Kelly Jazvac (PI), Kelly Wood (co-applicant), Patricia Corcoran (co-applicant), Heather Davis

Tear Gas Epiphanies: Protest, Museums, Culture

Forthcoming, 2019 This book considers protests at Canadian museums from the late 1980s until the present. An early draft of the Introductory chapter can be read here. Table of Contents PART 1 Preface: Tear Gas Epiphanies 1. Introduction: Museums, Protest,

Tear Gas Epiphanies: Protest, Museums, Culture

Forthcoming, 2019 This book considers protests at Canadian museums from the late 1980s until the present. An early draft of the Introductory chapter can be read here. Table of Contents PART 1 Preface: Tear Gas Epiphanies 1. Introduction: Museums, Protest,