Critical Museum Theory/Museum Studies in Canada

Lianne McTavish with Susan Ashley, Heather Igloliorte, Kirsty Robertson, and Andrea Terry. “Critical Museum Theory/Museum Studies in Canada: A Dialogue,” Acadiensis 46.2 (2017), pp. 223-41. In 2017 I had the chance to be a part of this co-written conversation about

Critical Museum Theory/Museum Studies in Canada

Lianne McTavish with Susan Ashley, Heather Igloliorte, Kirsty Robertson, and Andrea Terry. “Critical Museum Theory/Museum Studies in Canada: A Dialogue,” Acadiensis 46.2 (2017), pp. 223-41. In 2017 I had the chance to be a part of this co-written conversation about

Washing the Dishes

Participant/interlocutor with Serena Lee. “Washing the Dishes.” What is Left? What is Right? Forest City Gallery, curated by Christina Battle and Jenna Faye Powell, exhibition Sep 8-Oct 13, 2017, event November 25, 2017. Over the summer and in the Fall

Washing the Dishes

Participant/interlocutor with Serena Lee. “Washing the Dishes.” What is Left? What is Right? Forest City Gallery, curated by Christina Battle and Jenna Faye Powell, exhibition Sep 8-Oct 13, 2017, event November 25, 2017. Over the summer and in the Fall

Craft in the Current Moment

In the Fall of 2017 I was invited to write a short essay for the BFA catalogue for the thesis show at the Oregon College of Art and Craft. It was a really fun project, and the essay can be

Craft in the Current Moment

In the Fall of 2017 I was invited to write a short essay for the BFA catalogue for the thesis show at the Oregon College of Art and Craft. It was a really fun project, and the essay can be

Textiles

“Textiles.” In Fueling Culture: Politics, History, Energy. Imre Szeman, Jennifer Wenzel and Patricia Yaeger, eds. Fordham University Press, 2016, pp. 353-56. A short piece that I wrote on textiles and oil is included in this volume. “…textiles are the most

Textiles

“Textiles.” In Fueling Culture: Politics, History, Energy. Imre Szeman, Jennifer Wenzel and Patricia Yaeger, eds. Fordham University Press, 2016, pp. 353-56. A short piece that I wrote on textiles and oil is included in this volume. “…textiles are the most

Protectorate 1: A Darker Side of the Moon

Protectorate 1 was an exhibition curated as a part of the VAS/VAH4485 Museum and Curatorial Practicum in 2016-17. Here is the exhibition description: Since the Apollo 11 lunar landing in 1969, artefacts – ranging from flags and equipment to ephemeral

Protectorate 1: A Darker Side of the Moon

Protectorate 1 was an exhibition curated as a part of the VAS/VAH4485 Museum and Curatorial Practicum in 2016-17. Here is the exhibition description: Since the Apollo 11 lunar landing in 1969, artefacts – ranging from flags and equipment to ephemeral

Understanding Plastics Pollution: Interdisciplinary Collaboration and Forensic Methodology

image: sampling for micro-plastics at Lake Huron, Great Lakes Plastics Pollution Think Tank, summer 2016 This is a SSHRC-funded project, of which I am a co-applicant. Other members are Kelly Jazvac (PI), Kelly Wood (co-applicant), Patricia Corcoran (co-applicant), Heather Davis

Understanding Plastics Pollution: Interdisciplinary Collaboration and Forensic Methodology

image: sampling for micro-plastics at Lake Huron, Great Lakes Plastics Pollution Think Tank, summer 2016 This is a SSHRC-funded project, of which I am a co-applicant. Other members are Kelly Jazvac (PI), Kelly Wood (co-applicant), Patricia Corcoran (co-applicant), Heather Davis

Tear Gas Epiphanies: Protest, Museums, Culture

This book considers protests at Canadian museums from the late 1980s until the present. Forthcoming. Expected publication date late 2018 Table of Contents PART 1 Preface: Tear Gas Epiphanies 1. Introduction: Museums, Protest, Cities a) Art is Political: Carol Condé

Tear Gas Epiphanies: Protest, Museums, Culture

This book considers protests at Canadian museums from the late 1980s until the present. Forthcoming. Expected publication date late 2018 Table of Contents PART 1 Preface: Tear Gas Epiphanies 1. Introduction: Museums, Protest, Cities a) Art is Political: Carol Condé