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Negotiations in a Vacant Lot

At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked:

Print

Negotiations in a Vacant Lot

At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked:

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F’ing Up Contemporary Art

“F’ing Up Contemporary Art: Fiber in the Gallery.” F’d Up! Art Gallery of Mississauga, Mississauga, Ontario. Exhibition: September 26-November 9, 2013, pp. 4-6. Read the full catalogue here.

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F’ing Up Contemporary Art

“F’ing Up Contemporary Art: Fiber in the Gallery.” F’d Up! Art Gallery of Mississauga, Mississauga, Ontario. Exhibition: September 26-November 9, 2013, pp. 4-6. Read the full catalogue here.

craftivism

Craftivism

  with Maria Elena Buszek. Craftivism: A Special Edition of Utopian Studies, (Penn State Press) volume 22, no. 2, 2011. Coined by artists and collectives in the wake of the September 11th, 2001 attack on the World Trade Center, the

craftivism

Craftivism

  with Maria Elena Buszek. Craftivism: A Special Edition of Utopian Studies, (Penn State Press) volume 22, no. 2, 2011. Coined by artists and collectives in the wake of the September 11th, 2001 attack on the World Trade Center, the

POSTER1 copy

What is the Place of Intellectual Property?

What is the Place of Intellectual Property? A workshop in dialogue with Putting Intellectual Property in its Place: Rights Discourses, Creative Labor, and the Everyday by Laura J. Murray, S. Tina Piper, and Kirsty Robertson (Oxford 2014) SKOL Gallery, 372

POSTER1 copy

What is the Place of Intellectual Property?

What is the Place of Intellectual Property? A workshop in dialogue with Putting Intellectual Property in its Place: Rights Discourses, Creative Labor, and the Everyday by Laura J. Murray, S. Tina Piper, and Kirsty Robertson (Oxford 2014) SKOL Gallery, 372

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Houses Never at Home

In April, 2014, I gave a version of my talk: “Houses Never at Home: Fabric Dwellings and Wobbly Structures in Precarious Times” at the San Francisco Art Institute. This talk examines textile homes, that is, tents, precarious housing, and “wobbly

1780956_10154040846750858_4982909970959201972_o

Houses Never at Home

In April, 2014, I gave a version of my talk: “Houses Never at Home: Fabric Dwellings and Wobbly Structures in Precarious Times” at the San Francisco Art Institute. This talk examines textile homes, that is, tents, precarious housing, and “wobbly

9781552213537

Appropriation Appropriated

with Laura Murray. “Appropriation Appropriated: Ethical, Artistic and Legal Debates in Canada.” In Intellectual Property for the 21st Century: Multidisciplinary Perspectives on Intellectual Property Law. Madelaine Saginur, Teresa Scassa, Mistrale Goudreau, eds. Toronto: Irwin Law. Although Appropriation Art is often

9781552213537

Appropriation Appropriated

with Laura Murray. “Appropriation Appropriated: Ethical, Artistic and Legal Debates in Canada.” In Intellectual Property for the 21st Century: Multidisciplinary Perspectives on Intellectual Property Law. Madelaine Saginur, Teresa Scassa, Mistrale Goudreau, eds. Toronto: Irwin Law. Although Appropriation Art is often

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More a Diplomatic Than an Aesthetic Event

Kirsty Robertson with Sarah Smith, Stephanie Anderson, Elizabeth Diggon and Ahlia Moussa. “More a Diplomatic than an Aesthetic Event: Canada, Brazil and Cultural Exchange.” Journal of Canadian Studies 47 (January 2014): 1-29. This paper looks at models of cultural brokering

v92t5j4de20b7ors

More a Diplomatic Than an Aesthetic Event

Kirsty Robertson with Sarah Smith, Stephanie Anderson, Elizabeth Diggon and Ahlia Moussa. “More a Diplomatic than an Aesthetic Event: Canada, Brazil and Cultural Exchange.” Journal of Canadian Studies 47 (January 2014): 1-29. This paper looks at models of cultural brokering